Volume 6, No. 1, Art. 26 – January 2005

Connecting, Speaking, Listening: Toward an Ethics of Voice with/in Participatory Action Research

Ted Riecken, Teresa Strong-Wilson, Frank Conibear,
Corrine Michel & Janet Riecken

Abstract: Drawing on a participatory research project that brings together university based researchers and two classes of Aboriginal youth and their teachers for the purpose of researching health and wellness, we argue for an ethics of voice in qualitative research. Using participatory research methodologies and digital video technologies students plan and develop short educational films about issues of health and wellness. We exemplify the ethical issues in the presentation of student, teacher and researcher perspectives on what was learned through involvement in a project by incorporating the different voices and interests that comprise the project. An experimental form of representation is used to combine interview segments, fieldnotes and reflective writing so as to highlight the importance of voice in the construction and retelling of research outcomes.

Keywords: participatory research, ethics, Aboriginal culture, voice, digital video

Table of Contents

1. Introduction

2. The Traditional Pathways to Health Project

2.1 Research and the voice of participants

2.2 History of this piece

3. The Research Team

4. Participatory Action Research with Indigenous Participants

5. Past, Present and Future Relations

6. Coda

Acknowledgments

References

Authors

Citation

 

1. Introduction

In the public's eye, traditional conceptions of research are based on a view that sees it as the implementation of specialized forms of knowledge held and used by an educated elite. For those standing outside the periphery of such know how, research is seen as something done by experts rather than a form of knowledge construction undertaken by those without specialized training. The methodologies of participatory action research (PAR) aim to simultaneously democratize and demystify research as a means for understanding and changing the world. Yet, despite PAR's stated goal of actively involving research participants as co-equals, the representation of research findings often remains problematic. How does such research adequately represent the different voices that combine to create the final outcome of the research? A desire to represent and work with participants as co-equals cannot in itself negate existing power differentials. Within any research endeavor the locations of such differences are many. They may lie between university-based researchers and community-based co-researchers, between teachers and students, and between members of dominant and minority cultural groups. Such power imbalances can affect voice. [1]

An integral component of the presentation of research findings is an ethic of voice and voicing, which for the most part, remains unexplored as an issue that impacts upon the ways in which knowledge from such projects get presented, taken up and used. The purpose of the present paper is to demonstrate one way in which the ethics of voice can be addressed in the writing of academic research. In this paper we experiment with combining the voices of teachers, university based researchers, and high school students. Through this combination of voices we aim to convey the learning that has taken place in a project that brings together individuals of different backgrounds, ages and experiences to focus on promoting health and wellness among young people. [2]

2. The Traditional Pathways to Health Project

Traditional Pathways to Health is a participatory action research (PAR) project conducted with Aboriginal teachers and youth. The project brings together researchers from a faculty of education with community partners for the purposes of conducting research about health and wellness and the prevention of injury. The youth choose their own topics to investigate in the area of health and wellness and, using digital video technology, gather material in the form of interviews, images, songs or text, which they then transform into short video productions. [3]

The two high school classes that first became involved in the project were a Grade12 First Nations Career and Personal Planning (CAPP) class, led by Corrine MICHEL, and a First Nations Leadership class of Grade 12 students taught by Frank CONIBEAR. The two classes in which the project is situated are not typical high school classes. Both are grounded in a First Nations pedagogy and epistemology that sets them apart from the mainstream of traditional high school teaching. In this paper, we consider the role of PAR with indigenous peoples and communities. [4]

2.1 Research and the voice of participants

The paper, which began life as a conference presentation in which several individuals spoke to the project and the students' voices were "present" through their videos and interview clips, has been beset by challenges in transforming it into a scholarly format. One reason for this is the translation of the oral into a written format. While it now is a truism—after BAKHTIN (1981, 1986), that utterances (in both oral and spoken discourse) are heteroglossic, or interlaced with multiple voices—the explicit representation of dialogism within and between individuals is difficult to accomplish in a written format, or at least we have found it challenging. In an oral forum, individuals can take turns speaking, with each of their turns being consciously and unconsciously inflected by others' words and gestures. BAKHTIN identified several ways in which utterances show traces of influences: "others' utterances can be repeated," "they can be referred to," "they can be silently presupposed," or "one's responsive reaction to them can be reflected ... in the expression of one's own speech" (BAKHTIN, 1986, p.91, cited in WERTSCH, 1991, p.110). Influences—that is, learning—from others is a form of intertextuality that often operates in subtle ways (ORR, 2003), yet tangibly contributes to participants' developing a common project. Through the search for a way to include (viz. represent) the multiple voices within the project, dialogical influences have became more apparent; these are discussed later in the paper. Written genres of conversation and discussion have become accepted ways in which to emulate the give-and-take "hereness" of dialogue (for example, see MOORE, MONAGHAN, & HARTMAN, 1997). Paulo FREIRE practiced dialogue as a particular method of action, in which the participants think through issues of social justice and, through their dialogue, arrive at a different place that is more critically informed (FREIRE & MACEDO, 1995). There are also those who have argued, generally, that writing is a form of motion; it is a mode of experiencing, and not just of representing experience (CIXOUS, 1991; GENDLIN, 1965; GIROUX, 1978). Some, most notably LUGONES and SPELMAN (1983), have used the written form of the conversation in order to emphasize the blank spaces between their speaking. The white spaces highlight the incommensurability of their differences; LUGONES is Chicana and SPELMAN is white. [5]

2.2 History of this piece

The present article focuses on the dialogism that happened among co-participants in the first year of a PAR project; it is about how the project developed, in large part, through dialogical processes, and how these processes occurred against the background of white and Aboriginal identities. In particular, this paper constitutes a reflection on the relationship between PAR, as a research approach, and indigenous peoples and communities. As HALL (2001) says, the "contemporary practice of participatory research" needs to draw on various practices, including "the Aboriginal Self-Determination movement" (p.175); in drawing on such voices, PAR itself will no doubt undergo periods of ambiguity, reaffirmation, and change. [6]

One of the ways in which that reflection has taken place in this paper is through interrupting the conventional order of academic writing. Usually, a problem is identified, the theoretical background outlined, the methodology presented, and results discussed. While these elements are embedded within our discussion, they have been deliberately reframed within a different order, in which we recursively "circle" back to the voices of the project participants so as to show how the heterogeneity of voices contributed to, and actually created, the project. This approach is methodologically faithful to the importance that the circle took on within the project. Each class session in Frank's and Corrine's classes began with a talking circle in which everyone took turns speaking by passing an eagle feather or a stone. Speaking turns in the paper are signaled by a blank space (to create room for speaking in the cultural tradition of the First Nation participants), and the name of who is speaking. The recursive circling back to participants' voices echoes the circle, as does the collective speaking towards the end of the paper. With the presentation of the different voices linked together with explanatory text, the format we have used in this paper is also reflective of the structure of a documentary film—the medium that students used to present their findings. [7]

In establishing criteria for quality in qualitative and interpretive research, LINCOLN (1995) weighs the importance of voice and she advocates using "the extent to which alternative voices are heard" as "a criterion by which we can judge the openness, engagement, and problematic nature of any text" (p.283). The student voices, as "alternative" to the adult voices, as well as being the "alternative voices" of youth researchers, have been placed to interrupt, contradict, qualify as well as support and enhance others' speaking. [8]

3. The Research Team

The research team, at the time of the original writing (2001-2002), was composed of both Aboriginals and non-Aboriginals. The principal investigator and two research assistants (Ted, Teresa and Janet) are of a Euro-Canadian heritage although both Teresa and Janet have a kinship or marital connection to Aboriginal culture as part of their family histories. The two Aboriginal teachers on the team joined following their review of the project's objectives (Frank and Corrine). Within a traditional research lens, the two classrooms represented "sites" for the study. Within PAR, participants are seen as researchers. One teacher, Corrine, a graduate student, was also asked to become a research assistant, a dual position that has influenced her learning during the project as well as influenced our learning. Frank, who had recently completed his master's degree at the university and who has been teaching for seventeen years, had a profound influence on the direction of the project through his use of Coast Salish pedagogy and philosophy linking speaking, Aboriginal identity, and the talking circle. Student voices are represented in the project in and through the videos they created, interviews conducted with them, as well as students speaking on behalf of their videos and participants to diverse audiences in schools and in university classes of graduate students and preservice teachers. In the paper, their voices are heard directly through interview data as well as through others' voices, especially those of their teachers. The students became researchers in their own right. Following discussions and focus groups with the university-based researchers, students went beyond their classroom and school library to collect information for their projects. They choose their topics and whom they wanted to interview. They sought verbal or written permission from their participants. They videotaped interviews with peers, family, elders, teachers, community service providers or representatives; some also filmed community events. They then used video editing software to organize and present their data in the form of a short film. [9]

The primary mode of dissemination for the project has been the student videos created with digital video technologies; the cross-fertilization between digital video technology and indigenous knowledge in the project is the subject of another paper. The videos, and the student learning processes that have gone into the making of the videos, are at the center of the study "on the ground" in the classrooms. In Frank's classroom, the team has made weekly two-hour visits over the course of three school years for a total of 150 hours of direct contact between the students as community partners and the university research team. Other sites, such as Corrine's, have had between 60 and 90 hours of direct contact. Because of the First Nations pedagogies informing both classes, the students are responsible for "speaking for" their video projects in gatherings that take place at the end of the school year in which friends, family, other community members, school representatives, First Nations educators, and university faculty are invited for a screening of the videos and a feast (sharing of food). Interested students have also come to the university and conferences to present and speak for their videos. In the following paragraphs, we hear the voices of different participants articulating what the most valuable part of doing the video was to them. [10]

Jamie:

Corrine:

Sheralyn:

Frank:

Jen:

4. Participatory Action Research with Indigenous Participants

Traditional Pathways to Health is part of an interdisciplinary group of projects (CAHR [Community Alliance for Health Research]) focused on the prevention of injury to young people. CAHRs are funded by the federal government of Canada through the Canadian Institutes for Health Research and have as their goal the establishment of research partnerships that combine the knowledge and expertise of both university based researchers and members of the community. The CAHR of which this project is a part is called Healthy Youth in a Healthy Society: A Community Alliance for Reducing Risks for Injury in Children and Adolescents. The CAHR project is run through the University of Victoria's Center for Youth and Society and shares funding with six other research projects that also focus on injury prevention to young people. [21]

As the CAHR project title implies, the focus of the research is on the prevention of injury to young people. Injury constitutes the leading cause of premature death for young people in both Canada and the U.S. and accounts for the majority of hospital admissions and emergency room visits for youth ages 15 to 24 (ANDERSON & SMITH, 2003). Many of these injuries are preventable and the Healthy Youth in a Healthy Society CAHR is a five-year research project aimed at implementing a variety of intervention and health promotion strategies designed to reduce injury to young people. The Traditional Pathways to Health sub-project involves Aboriginal youth, who as a population, experience disproportionately high levels of certain types of injury, the most notable of which is suicide. In the following paragraphs, we hear the voices of different participants responding to the issue whether their ideas have changed. [22]

Megan:

Jen:

Teresa:

Ted:

Teresa:

Jennifer:

Tony:

Ted:

Jamie:

5. Past, Present and Future Relations

"A community action research project is a journey of those who are embedded in past relations to one or more communities and who care about their present and future" (BROWN & REITSMA-STREET, 2003, p.64). Several metaphors have been adopted or developed for articulating learning across difference or the space in which new knowledge (including unlearning) can happen; some of those include: "border crossers" (GIROUX, 1993); "border work" (HAIG-BROWN, 1992); "unlearning racism" (COCHRAN-SMITH, 2000); "negative pedagogy" (KAMBOURELI, 2000); "liminal spaces" GUNN ALLEN, 1996; TURNER, 1969) and legitimate peripheral participation (LAVE & WENGER, 1991). While it might be interesting to see how and whether the various positions apply to the individuals within the study, they are cannot describe a social or dialogical inquiry process. The challenge in a study like Traditional Pathways to Health has been to keep as close as possible to the media in which the co-participants have forged relationships, namely one rooted in the visual (the video projects) and the oral (speaking about the projects in circles or presentations). [43]

BROWN and REITSMA-STREET (2003) develop the idea of community action research as a journey that begins in the past and brings it forward for the purpose of being oriented towards the future. This conceptualization works well within a research situation of white and Aboriginal co-researchers because of how the past has influenced the present and the desire to change the future. Aboriginal peoples bring a consciousness of colonization, and how it has influenced definitions of indigenous identity (KING, 2003; OWENS, 1998), community (ANDERSON & LAWRENCE, 2003), and research (DELORIA, 1969; SMITH, 1999). Aboriginal peoples bring indigenous knowledge (ALFRED, 1999; CAJETE, 1994) and a tradition of resistance to that knowledge being appropriated, misinterpreted or misused (ALFRED, 1999; BATTISTE & YOUNGBLOOD HENDERSON, 2000; LAROCQUE, 1996). White researchers bring their own stories and histories of growing up in particular communities or in particular ways, stories also influenced by the larger discourses in society. The seventh-generation focus of indigenous research and practice looks towards the next generation who will carry these understandings forward: children and youth. The speaking voices within the study show how PAR processes have been used to speak from where one is for the purpose as well of speaking out and across to someone else, the circle being a prime example of this process. [44]

Ted:

Jen:

Corrine:

Sheralyn:

Janet:

Adeline:

Tony:

Ted:

Teresa:

Jen:

Frank:

Adeline:

6. Coda

Social science research is both a dialogic and relational undertaking that requires its practitioners to pay careful attention to ethics. Too often, participants' voices are left out of the retelling of what was learned through the research. As those who construct, and then apply knowledge and understanding built from the contributions of others, researchers have an ethical obligation to ensure they are as inclusive as possible in the presentation of their work. In this paper we present a range of voices, each speaking about what they learned through their involvement in this project. Together, they tell of the different benefits of participation and engagement. [57]

Acknowledgments

Funding for this research was provided by a grant from the Canadian Institutes for Health Research. This project would not be possible without the generosity, trust and commitment of the many community members who offered to share their knowledge with the student video makers. We acknowledge those contributions and say huy ch q'u (thank you).

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Authors

Ted RIECKEN is an associate professor in the Department of Curriculum and Instruction at the University of Victoria. He is also the Director of the Centre for Youth and Society, an interdisciplinary research centre at the same university. His research interests include community based and participatory research and the use of digital video as a teaching and research tool.

Contact:

Ted Riecken

Faculty of Education
PO Box 3010 STN CSC
Victoria, British Columbia
V8W 3N4, Canada

Phone: 1-250-721-6346

E-mail: triecken@uvic.ca

 

Teresa STRONG-WILSON is an assistant professor in the Department of Integrated Studies at McGill University. Her research interests are in literacy and narrative within social justice and indigenous education in early childhood and teacher education.

Contact:

Teresa Strong-Wilson

Room 244 Education
3700 McTavish Street
Montreal, QC H3A 1Y2, Canada

Phone: 1-594-398-4170

E-mail: teresa.wilson@staff.mcgill.ca

 

Frank CONIBEAR is head of the First Nations Leadership Program at Esquimalt Secondary School. He also teaches in the Community Culture and Environment program in the Faculty of Education at the University of Victoria.

Contact:

Frank Conibear

Esquimalt Secondary School
847 Colville Road
Victoria, B.C., Canada

Phone: 1-250-382-9226

E-mail: fconibear@shaw.ca

 

Corrine MICHEL is a program assistant in the First Nations Studies program at Camosun College where she is working on a project on indigenizing the curriculum. She is also a graduate student at the University of Victoria where she is researching indigenous environmental ethics.

Contact:

Corrine Michel

First Nations Education Services
Camosun College
3100 Foul Bay Road
Victoria, B.C., Canada

E-mail: Michel@Camosun.bc.ca

 

Janet RIECKEN is a research assistant on the Knowledge Translation project at the Centre for Youth and Society at the University of Victoria. She also teaches in the Community, Culture and Environment program in the Faculty of Education at the University of Victoria.

Contact:

Janet Riecken

Centre for Youth & Society
PO Box 1700 STN CSC
Victoria, B.C.
V8W 2Y2, Canada

E-mail: janetriecken@shaw.ca

Citation

Riecken, Ted; Strong-Wilson, Teresa; Conibear, Frank; Michel, Corrine & Riecken, Janet (2004). Connecting, Speaking, Listening: Toward an Ethics of Voice with/in Participatory Action Research [57 paragraphs]. Forum Qualitative Sozialforschung / Forum: Qualitative Social Research, 6(1), Art. 26, http://nbn-resolving.de/urn:nbn:de:0114-fqs0501260.

Forum Qualitative Sozialforschung / Forum: Qualitative Social Research (FQS)

ISSN 1438-5627

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