The Power of Photographs of Buildings in the Dresden Urban Discourse. Towards a Visual Discourse Analysis

Gabriela B. Christmann


"Old Dresden" which is known worldwide as a symbol for inept destruction in World War II stopped existing in its physical form in February 1945. The image of "old Dresden," however, has been maintained in the minds of its citizens. This is as results of the visualization of historical buildings. Buildings are artifacts that can be experienced visually and aesthetically. Thus, it is not surprising that in the context of public discourses they "demand" an appropriate representation in a visual and in an aesthetic respect. In the urban discourse of Dresden the visualization of buildings plays an important role.
In the article the author exemplifies her methodical approach to visual discourse analysis. She acts on the assumption that three levels of analyzing images must be taken into consideration: 1. the composition of the image, with its content and design, 2. the context of production and publication, including the horizon of historic events, and 3. the mode of reception, with respect to communicative processes.
URN: urn:nbn:de:0114-fqs0803115


sociology of knowledge; discourse; image analysis; photography; visual discourse analysis; urban sociology

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Copyright (c) 2008 Gabriela B. Christmann

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