Performance, Art and Ethnography

Sarah Butler

Abstract


The history of performance art can be compared with the social sciences pursuit of cultural critique and commentary. Methods and theoretical frameworks are borrowed from anthropological field research throughout this analysis of Montreal artist Olivia BOUDREAU's 2007 performance Salle C. Exploring performance art through ethnography provides reflexive, context-dependent renderings of time-sensitive work—acknowledging both artists' and visitors' perspectives. This is an interpretation of performance (not limited to traditional formal and material culture analyses) that seeks to demonstrate an ethnographic rendering of performance, and performative appreciation of audience and artist.
URN: urn:nbn:de:0114-fqs0802346

Keywords


performance; contemporary art; ethnography; reflexivity; social constructivism

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DOI: http://dx.doi.org/10.17169/fqs-9.2.381

Copyright (c) 2008 Sarah Butler

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