Performance, Art and Ethnography

Abstract

The history of performance art can be compared with the social sciences pursuit of cultural critique and commentary. Methods and theoretical frameworks are borrowed from anthropological field research throughout this analysis of Montreal artist Olivia BOUDREAU's 2007 performance Salle C. Exploring performance art through ethnography provides reflexive, context-dependent renderings of time-sensitive work—acknowledging both artists' and visitors' perspectives. This is an interpretation of performance (not limited to traditional formal and material culture analyses) that seeks to demonstrate an ethnographic rendering of performance, and performative appreciation of audience and artist. URN: urn:nbn:de:0114-fqs0802346