Changing Visual and Social Worlds: An Introduction to the Thematic Issue on "Digital Images and Visual Artifacts in Everyday Life"

Authors

  • Roswitha Breckner Universität Wien
  • Michael R. Müller TU Chemnitz
  • Anne Sonnenmoser TU Chemnitz

DOI:

https://doi.org/10.17169/fqs-26.2.4442

Keywords:

digital images in social worlds, visual artifacts, political and normative negotiation processes;, social positioning, communicative trust-building, generation of evidence and knowledge, discursive subjectivation, personal testing and proving, visual-biographical self-design, social media, body images, methodological innovation

Abstract

The continual advancement of visual media technologies and their everyday accessibility has led to a wide array of possibilities for presenting oneself, others and the world, for imagining the improbable, the production of evidence, ideographic expression, as well as of self-deception and deception of others. That images are socially exchanged, in that they give rise to, reinforce, or destabilize social relationships, and that they are subject to processes of conventionalization, instrumentalization, and economization, is hardly surprising. Nevertheless, images and the diversity of visual artifacts remain a complex and only partially theorized subject within social theory and are still insufficiently integrated into existing theoretical frameworks. The authors of this special issue address this desideratum. Their contributions provide insights into the particularities of contemporary image and social worlds, which they explore through appropriate methodological approaches. Furthermore, they shed light on the social-theoretical and methodological research questions that emerge from a deeper engagement with such visual and social constellations.

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Author Biographies

Roswitha Breckner, Universität Wien

Roswitha BRECKNER is senior research fellow at the Department of Sociology at the University of Vienna, where she was an associate professor until September 2024. She developed "visual segment analysis" as a methodological approach to the hermeneutic interpretation of images and, together with Eva FLICKER, established visual sociology as a teaching focus in the Master's program in sociology. From 2009 to 2024, she was co-initiator and spokesperson for the Visual Studies research focus at the Faculty of Social Sciences. Most recently, her work has centered on the analysis of social media from a biographical perspective.

Michael R. Müller, TU Chemnitz

Michael R. MÜLLER is professor of visual communication and media sociology at Chemnitz University of Technology and managing director of the Institute for Media Research there. He is a senior fellow at the Institute for Advanced Study in the Humanities (KWI) in Essen and current spokesperson for the Knowledge Sociology Section of the German Sociological Association. MÜLLER has led several research projects in the field of visual sociology and developed "figurative hermeneutics" and "image cluster analysis" as methodological approaches to the hermeneutic interpretation of complex image data. Most recently, he has focused on the analysis of everyday uses of digital image media, the technologization of knowledge, and sociological aesthetics.

Anne Sonnenmoser, TU Chemnitz

Anne SONNENMOSER is senior researcher at the Institute for Media Research at Chemnitz University of Technology. In her academic work, she concentrates on the theoretical and empirical examination of issues in visual sociology, the sociology of personal self-presentation, and socio-scientific design research. Another focus of her research is the sociological analysis of the structural and social conditions of human-computer interactions.

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Published

2025-05-26

How to Cite

Breckner, R., Müller, M. R., & Sonnenmoser, A. (2025). Changing Visual and Social Worlds: An Introduction to the Thematic Issue on "Digital Images and Visual Artifacts in Everyday Life". Forum Qualitative Sozialforschung Forum: Qualitative Social Research, 26(2). https://doi.org/10.17169/fqs-26.2.4442